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I believe it will be a real relief to write down how I feel about him in his old book, and I shall do it whenever I can't stand him any longer; and if he gave the horrid, red leather thing to me to make me miserable he can't do it; not this spring! I wish I dare burn it up and forget about it, but I daren't! This record on the first page is enough to reduce me—to tears, and I wonder why it doesn't.,

"There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered.,

"I can't say. I haven't examined him. Stunned or drugged, I suppose.",

The word "trousseau" can be spoken in a woman's presence for many years with no effect, but it is an awful shock when she first really hears it. I felt queer all the afternoon as I packed those trunks for the five o'clock train.

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Patricia gave an exclamation. "I believe I've seen her!" she cried. "She wears a long cloak and a hat with a big black plume, doesn't she? We noticed her at lunch and wondered what was the matter with her.",

Then what happened to me was that Dr. John took me by the shoulders and gave me one good shake.,

"What fun it will be," she said, with the faintest tinge of sadness in her lovely voice. "It must be splendid to have a brother! I have always so longed for one.",

Elinor smiled and her shining eyes traveled down the wide dim corridor with its rows of battered gray lockers, past the confusion of chairs and easels that clustered around the big screen of the composition room, straight into the farthest nook of the great bare work rooms beyond, where an array of heroic-sized white casts loomed conspicuous in the cold north light above the clutter of easels, stools and drawing-boards that encompassed the silent, intent workers.